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April 30: Farewell, with poems by Jane Hirshfield and Simon Armitage

Thank you for reading with us throughout April. For our final day, here’s a preview of poems by two writers whose books will be published this summer: Jane Hirshfield (from the forthcoming Come, Thief) and Simon Armitage (Seeing Stars).Their voices are quite different, their geographies far-flung (Hirshfield, whose poem appears first below, is a West Coast poet; Armitage is British and lives in England), but both poems lead us, in their distinct fashion, “unknowingly yet profusely onwards,” as Armitage puts it—acknowledging the broad and deep mysteries that great poems can bring within our reach in a way nothing else can.

Until we meet again over a new poem,

The Knopf Poetry Team


The Supple Deer

The quiet opening
between fence strands
perhaps eighteen inches.

Antlers to hind hooves,
four feet off the ground,
the deer poured through.

No tuft of the coarse white belly hair left behind.

I don’t know how a stag turns
into a stream, an arc of water.
I have never felt such accurate envy.

Not of the deer:

To be that porous, to have such largeness pass through me.


To the Bridge

The same bridge, in fact, where it had occurred to
him that the so-called Manic Street Preachers, for all
their hyperventilation and sulphuric aftershave,
were neither frenzied, credible or remotely
evangelical, just as the so-called Red Hot Chili
Peppers, for all their encouraging ingredients, were
actually no warmer than a baby’s bathwater and not
in the least bit diablo, whereas the Teardrop
Explodes, either by blind accident or through
careful purpose had kept every promise ever made.
Below him, the soupy canal acknowledged that final
thought with an anointing ripple then slouched
unknowingly yet profusely onwards.


Learn more about Come, Thief by Jane Hirshfield

Learn more about Seeing Stars by Simon Armitage

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13 Responses to “April 30: Farewell, with poems by Jane Hirshfield and Simon Armitage”

  1. Janice in GA says:

    I just wanted to say how much I enjoy the Poem-A-Day every April. I’ve been on the mailing list for a few years now. I’m always happy when April comes around.

    Many thanks, Knopf, for the Poem-A-Day feature!

  2. Laurel Moss says:

    Would that you could continue with a poem a day. I have enjoyed those you have presented and each day when coffeeing down, I read and meditate on the poems. Here is my presentation of Deer:
    Stick legged
    with wing ears
    devouring grass quieter than a motor
    Just the tear and chomp and chew.
    Stopping, stooping at a ghost sound
    Onyx eyes stilled in alarm
    a silent leap
    delicately darting into brush
    vanishing, a mirage of levitation

    Thank you for this opportunity my thanks particularly to Jane Hirshfield for her Deer.
    Laurel

  3. Roger says:

    Thank you for the poems of April. Must be a lot of work but would you consider doing it year round? Once a week maybe? But thank you for the poems.

  4. Genie says:

    Deep gratitude to the Knopf Poetry Team–a lovely way to spend spring mornings, reading these wonderful poems. Thank you!

    ~ Until we meet again over a warm cup of tea, a quite morning, and a fine bit of poetry to sit with ~

  5. Melvin Rosenberg says:

    The Knopf Poetry Team is to be commended for presenting constant readers two good poems for this final day of Poetry Month. And while both poems intrigue , the Armitage takes over its knee and gives me a deserved poetic spanking. It is very contemporary but it is in dialogue with all the history of poetry. I assume that the Manic Street Preachers, the Red Hot Chili Peppers, and the Teardrop Explodes are all music groups, the first and last may be made up. I am not a pop music fan. I also take that is religious poem, and maybe a satire on the cult of celebrity or the worship of pop culture and its phony icons. The word “slouched” in the penultimate line invokes Yeats’s Sailing to Byzantium: “slouching toward Bethlehem to be born”, one of the most quoted and discussed phrases in all 20th century poetry. It isn’t crucial to know exactly what Armitage had in mind. All I know is, it is important and intriguing and speaks to me and my properly spanked backside.

  6. Rimaya Suchiang says:

    The April of 2011 will be the most memorable month of my life. It happens that I was born on 25th April, so this year I’ve got the best gift of my life through this Poem-a-day.
    Thank you so much!

  7. Barbara Bamberger says:

    I loved the Poetry of the Month emails. The chosen poems were great. I wish it would continue year round, but since it doesn’t I’ll just have to spend time in your website. Thank you for brightening my day each morning.

  8. Elizabeth B. Word says:

    Please don’t stop.

    Although a voracious reader, I’ve never been into poetry.

    Now I’m addicted and look forward with interest to the particular perspective of the author.

    Poem-A-Day’s daily meditation is my one minute vacation.

    Keep going,
    Elizabeth

  9. Betsey says:

    The Supple Deer takes my breath away!
    Thank you for a lovely month of Poetry a Day!

  10. Al Johnson says:

    Armitage’s poem is the kind of poetry you want
    to read and go home and cry about. I concur
    with melvin rosenberg when he says “I have no idea what the poem means but it represents the truth”. I’m not a pop music fan either – I can’t stand that tinsel with all its shim shammery, phoniness, and pop stars with I.Q.s less than 50. I don’t agree with society when it raises those sorts of people to the elite. Why don’t we commit idolatry with poets and not pop stars? And the word “soupy” (in my opinion) invokes the Campbell soup company when it says “It’s Amazing What Soup Can Do”.

    Thanks for all the poems Knopf Poetry Team! :)

  11. Rob Tietze says:

    Thanks so much for your April celebration of poetry…I was especially glad to see Phillip Levine highlighted, although perhaps with a different poem…although I know that it is difficult to select 30+ poets to represent, I can’t imagine the following poets being left off the list! I feel these are true luminaries in the history of AmeriCan poetry…with the exception of Yeats and Rilke of course….perhaps next time…? Thank you again…

    W.D. Snodgrass
    Elizabeth Spires
    Robert Frost
    WB Yeats
    Theodore Roethke
    Randall Jarrell
    Elizabeth Bishop
    Sylvia Plath
    Walt Whitman
    Rilke

  12. Diana Mandli says:

    Thank you, Knopf Poetry Team, for another wonderful month of poems! I look forward to Poem-a-Day every year. Every year, the Poetry Team introduces me to poets whose works I have not read before; every year, the Knopf selections inspire me to further reading, and my list of favorite poems and poets grows. What a wonderful gift! Thank you so much.

  13. Oprah has done it again. I didn’t know there was a month designated to celebrate poetry. Her site lead me to your wonderful website, poem a day Knopfdoubleday. Thank you for sharing such great poetry!.
    Your site makes me so very happy!

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Knopf's Poem-A-Day 2010

April 1: Edward Hirsch’s “Self-portrait”
April 2: Marge Piercy’s “Seven Horses”
April 3: Dan Chiasson’s “Banquette” and “Next”
April 4: Marie Ponsot’s “Transport”
April 5: Alexander Neubauer’s Poetry in Person, featuring Derek Walcott
April 6: Mark Strand’s “Mirror”
April 7: Edna St. Vincent Millay’s “Spring”
April 8: Philip Levine’s “MY FATHERS, THE BALTIC”
April 9: Vera Pavlova’s “A Remedy for Insomnia”
April 10: Stan Rice’s “The Fragment of Statue”
April 11: Marina Tsvetayeva’s “Poems Grow”
April 12: Kevin Young’s “EYES + EGGS [1983]“
April 13: Janusz Szuber’s “About a Boy Stirring Jam”
April 14: Frank O’Hara’s “The Day Lady Died”
April 15: Franz Wright’s "My Pew"
April 16: Mary Jo Salter’s “Welcome to Hiroshima”
April 17: Yehuda Halevi’s “A man in your fifties—and you still would be young?”
April 18: Langston Hughes’s “Black Workers” and “Black Dancers”
April 19: W. S. Di Piero’s “In Our Room”
April 20: Robert Wrigley’s “Kissing a Horse”
April 21: Sharon Olds’s “When He Came for the Family” and “The Signal”
April 22: Irving Feldman’s “Stretched Out at Length”
April 23: W.S. Merwin’s “The Furrow”
April 24: David Lehman’s “Poem in the Manner of a Jazz Standard”
April 25: John Keats’s “This Living Hand”
April 26: Laurie Sheck’s A Monster’s Notes
April 27: Garrett Hongo’s “Volcano House”
April 28: Wallace Stevens’s “Large Red Man Reading”
April 29: Izumi Shikibu’s love poems
April 30: Deborah Digges's "Write a Book a Year"