Newsletters

See All Our Newsletters ›

Manage Your Email Preferences ›

Search This Site

Search Catalog ›


Featured Video

Recently Featured:

Knopf Map Guides Robert Reich on Beyond Outrage

View our YouTube Channel ›


Author Events

May 16th at 7:00 pm

James Fallows

Commonwealth Club of California with Asia Society

Cubberley Theatre, 4000 Middlefield Road

Palo Alto, CA

May 16th at 12:00 pm

Reeve Lindbergh

New Canaan Library

151 Main Street

New Canaan, CT 06840

May 16th at 7:00 pm

Reeve Lindbergh

Barnes and Noble, Upper West Side

2289 Broadway

New York, NY

Search for More Author Events ›



April 25: C.P. Cavafy’s “The Mirror in the Entrance”

April 25: C.P. Cavafy’s “The Mirror in the Entrance”

A poem of 1930 by the great C. P. Cavafy; it is translated from the Greek by Daniel Mendelsohn, who explores Cavafy’s sense of beauty in his introduction to Collected Poems. He writes, “The rich, perfervid, sensuous present of most lives is lost forever to recollection: only the living memory of that past, memory that is itself alchemized into something permanent, and permanently beautiful, by poetry, ‘preserves’ them forever.” Here, the mirror plays the role of recaller and preserver, with Cavafy’s sly assistance.


The Mirror in the Entrance

In the entrance hallway of that sumptuous home
there was an enormous mirror, very old;
acquired at least eighty years ago.

A strikingly beautiful boy, a tailor’s assistant,
(on Sunday afternoons, an amateur athlete),
was standing with a package. He handed it
to one of the household, who then went back inside
to fetch a receipt. The tailor’s assistant
remained alone, and waited.
He drew near the mirror, and stood gazing at himself,
and straightening his tie. Five minutes later
they brought him the receipt. He took it and left.

But the ancient mirror, which had seen and seen again,
throughout its lifetime of so many years,
thousands of objects and faces—
but the ancient mirror now became elated,
inflated with pride, because it had received upon itself
perfect beauty, for a few minutes.


Learn more about Collected Poems

Download the broadside “The Mirror in the Entrance”

Sign up for Knopf’s Poem-a-Day email


RSS | About | Excerpt | Add to Shelf | Shop | Share

Related Posts

3 Responses to “April 25: C.P. Cavafy’s “The Mirror in the Entrance””

  1. Melvin Rosenberg says:

    It’s always good to be reminded of Cafavy’s mastery of an elegant melancholy. And Mendelsohn has done him justice no previous translator has. Ohnto have lived in Alexandria and to have tasted coffee at his side.

  2. barbara groves says:

    That is beautiful.

  3. R. L. Lyons says:

    The poem by C.P. Cavafy, “The Mirror in the Entrance,” helps me recall two mirrors that faced each other in the entrance of a wonderful Italian restaurant in Agawam, Massachusetts. Those mirrors reflected me forever.

    As a teen, I had the good fortune to enter that ante way each day after school and full time in summer. This was my world of awakening. The Tinti family and their restaurant immersed me in world of art, music and caring feelings, the likes of which I had not experienced before.

    Those mirrors led me to a personal experience of European culture so vital that it drives my every thought to this very day. I was in heaven. A fourteen-foot high mural of Marco Polo presenting spaghetti to the people of Florence towered over me. A secret little alcove where young lovers became a part of a bucolic scene, said things that school never dared, and a grand piano helped me spin my simple melodies.

    In thanks to C.P. Cavafy:
    The ever-observant mirror:
    The sweet beauty of youth,
    A mature mind,
    Reflects Love and Life,
    Beyond all measure.

    P.S. The restaurant is closed now, but the building is preserved as a Masonic Hall. Hopefully, those two mirrors still reflect forever.

Leave A Comment:

Sign Up for Poem-a-Day

Webform
Email Address:


Celebrate Poetry Tumblr



Celebrate Poetry Event



Knopf Twitter



Poetry Broadsides






Knopf's Poem-A-Day 2010

April 1: Edward Hirsch’s “Self-portrait”
April 2: Marge Piercy’s “Seven Horses”
April 3: Dan Chiasson’s “Banquette” and “Next”
April 4: Marie Ponsot’s “Transport”
April 5: Alexander Neubauer’s Poetry in Person, featuring Derek Walcott
April 6: Mark Strand’s “Mirror”
April 7: Edna St. Vincent Millay’s “Spring”
April 8: Philip Levine’s “MY FATHERS, THE BALTIC”
April 9: Vera Pavlova’s “A Remedy for Insomnia”
April 10: Stan Rice’s “The Fragment of Statue”
April 11: Marina Tsvetayeva’s “Poems Grow”
April 12: Kevin Young’s “EYES + EGGS [1983]“
April 13: Janusz Szuber’s “About a Boy Stirring Jam”
April 14: Frank O’Hara’s “The Day Lady Died”
April 15: Franz Wright’s "My Pew"
April 16: Mary Jo Salter’s “Welcome to Hiroshima”
April 17: Yehuda Halevi’s “A man in your fifties—and you still would be young?”
April 18: Langston Hughes’s “Black Workers” and “Black Dancers”
April 19: W. S. Di Piero’s “In Our Room”
April 20: Robert Wrigley’s “Kissing a Horse”
April 21: Sharon Olds’s “When He Came for the Family” and “The Signal”
April 22: Irving Feldman’s “Stretched Out at Length”
April 23: W.S. Merwin’s “The Furrow”
April 24: David Lehman’s “Poem in the Manner of a Jazz Standard”
April 25: John Keats’s “This Living Hand”
April 26: Laurie Sheck’s A Monster’s Notes
April 27: Garrett Hongo’s “Volcano House”
April 28: Wallace Stevens’s “Large Red Man Reading”
April 29: Izumi Shikibu’s love poems
April 30: Deborah Digges's "Write a Book a Year"