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April 24: Brooks Haxton’s “Three Lilies”

April 24: Brooks Haxton’s “Three Lilies”

A poem for Easter morning, from Uproar: Antiphonies to Psalms, by Brooks Haxton. In his preface to these poems, which answer back to or jump off from the psalms he learned in childhood, Haxton reflects on “the challenge of letting the Psalms, like any art that matters, find us where we live.” One pleasure of Haxton’s poetic reactions to the Psalms is the intertwining of contradictory responses—he captures the beauty of ambivalence, which seems to enhance our aesthetic experience of creation and even of religious feeling.


Three Lilies

     Weeping may endure for a night, but joy cometh in
     the morning. Psalm 30

Before dawn, under a thin moon disappearing
east, the planet Mercury, the messenger
and healer, came up vanishingly
into the blue beyond the garden where
three lilies at the bottom of the yard
arrayed white trumpets on iron stalks
under a slow, slow lightning from the sun.
I stood on a rotten step myself,
and smelled them from a hundred feet away.


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2 Responses to “April 24: Brooks Haxton’s “Three Lilies””

  1. Peggy Miller says:

    As I sit at home on what is for me an ordinary Sunday, making a note to put out the trash tonight, I read this poem-a-day and make another note to read everything Haxton. His response to a scrap of psalm is simple bliss. One of the best poems of the month: thank you!
    Peggy Miller

  2. I love these poems every April day, but this one was like a bell singing in my heart. Thank you.

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Knopf's Poem-A-Day 2010

April 1: Edward Hirsch’s “Self-portrait”
April 2: Marge Piercy’s “Seven Horses”
April 3: Dan Chiasson’s “Banquette” and “Next”
April 4: Marie Ponsot’s “Transport”
April 5: Alexander Neubauer’s Poetry in Person, featuring Derek Walcott
April 6: Mark Strand’s “Mirror”
April 7: Edna St. Vincent Millay’s “Spring”
April 8: Philip Levine’s “MY FATHERS, THE BALTIC”
April 9: Vera Pavlova’s “A Remedy for Insomnia”
April 10: Stan Rice’s “The Fragment of Statue”
April 11: Marina Tsvetayeva’s “Poems Grow”
April 12: Kevin Young’s “EYES + EGGS [1983]“
April 13: Janusz Szuber’s “About a Boy Stirring Jam”
April 14: Frank O’Hara’s “The Day Lady Died”
April 15: Franz Wright’s "My Pew"
April 16: Mary Jo Salter’s “Welcome to Hiroshima”
April 17: Yehuda Halevi’s “A man in your fifties—and you still would be young?”
April 18: Langston Hughes’s “Black Workers” and “Black Dancers”
April 19: W. S. Di Piero’s “In Our Room”
April 20: Robert Wrigley’s “Kissing a Horse”
April 21: Sharon Olds’s “When He Came for the Family” and “The Signal”
April 22: Irving Feldman’s “Stretched Out at Length”
April 23: W.S. Merwin’s “The Furrow”
April 24: David Lehman’s “Poem in the Manner of a Jazz Standard”
April 25: John Keats’s “This Living Hand”
April 26: Laurie Sheck’s A Monster’s Notes
April 27: Garrett Hongo’s “Volcano House”
April 28: Wallace Stevens’s “Large Red Man Reading”
April 29: Izumi Shikibu’s love poems
April 30: Deborah Digges's "Write a Book a Year"