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April 22: Kwon Homun’s “Two Poems On Fishing”

April 22: Kwon Homun’s “Two Poems On Fishing”

Today’s selection, by Kwon Homun, a Korean poet whose dates are 1532-1587, touches on one of the key themes in poetry about fishing, as captured in the delightful Pocket Poets collection The Art of Angling. As the volume’s editor Henry Hughes puts it, quoting another Korean poet of the sixteenth century, “the best way to understand how to live is to ‘fish without catching any.’” This “process-not-product” undercurrent to the angling experience is perhaps one of the reasons it has been so attractive as a subject for our poets, who are naturally subversive, and are often lovers of a creative or meditative process for its own sake. (The translation of Kwon Homun’s work below is by Jaihiun Kim.)


Two Poems On Fishing

Should I go drinking and wenching?
Oh, no. It isn’t proper for the poet that I am.
Shall I go hunting wealth and honor?
I am not inclined that way either.
Well, let me be a fisherman or shepherd
and enjoy myself on the reedy shore.

When it stops raining at the fishing site
I will use green-moss for bait.
With no idea of catching the fish
I will enjoy watching them at play.
A slice of moon passes as it casts a silver line
onto the green stream below.


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One Response to “April 22: Kwon Homun’s “Two Poems On Fishing””

  1. Melvin Rosenberg says:

    Kaon Homun’s two poems so unAmerican. All Tea Party members should be made to memorize them and say them aloud daily. Imagine: no beer swilling, no skirt chasing, no corruption! Imagine: using your life to think, to commune with self, to imagine. Reading these gems is a great way to start the day. I have been changed, maybe improved. Maybe.

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Knopf's Poem-A-Day 2010

April 1: Edward Hirsch’s “Self-portrait”
April 2: Marge Piercy’s “Seven Horses”
April 3: Dan Chiasson’s “Banquette” and “Next”
April 4: Marie Ponsot’s “Transport”
April 5: Alexander Neubauer’s Poetry in Person, featuring Derek Walcott
April 6: Mark Strand’s “Mirror”
April 7: Edna St. Vincent Millay’s “Spring”
April 8: Philip Levine’s “MY FATHERS, THE BALTIC”
April 9: Vera Pavlova’s “A Remedy for Insomnia”
April 10: Stan Rice’s “The Fragment of Statue”
April 11: Marina Tsvetayeva’s “Poems Grow”
April 12: Kevin Young’s “EYES + EGGS [1983]“
April 13: Janusz Szuber’s “About a Boy Stirring Jam”
April 14: Frank O’Hara’s “The Day Lady Died”
April 15: Franz Wright’s "My Pew"
April 16: Mary Jo Salter’s “Welcome to Hiroshima”
April 17: Yehuda Halevi’s “A man in your fifties—and you still would be young?”
April 18: Langston Hughes’s “Black Workers” and “Black Dancers”
April 19: W. S. Di Piero’s “In Our Room”
April 20: Robert Wrigley’s “Kissing a Horse”
April 21: Sharon Olds’s “When He Came for the Family” and “The Signal”
April 22: Irving Feldman’s “Stretched Out at Length”
April 23: W.S. Merwin’s “The Furrow”
April 24: David Lehman’s “Poem in the Manner of a Jazz Standard”
April 25: John Keats’s “This Living Hand”
April 26: Laurie Sheck’s A Monster’s Notes
April 27: Garrett Hongo’s “Volcano House”
April 28: Wallace Stevens’s “Large Red Man Reading”
April 29: Izumi Shikibu’s love poems
April 30: Deborah Digges's "Write a Book a Year"