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April 21: Stan Rice’s “Tornado at Night”
A poem of wild weather from Stan Rice (1942-2002), whose concise songs of praise continue to fascinate.
Tornado at Night
They ran out in nightgowns to seek the protection
Of the overhang of the abandoned gas station,
And resembled the Erecthium’s female columns.
The broken power lines flashed white
When they touched the wet ground,
And the girls’ legs showed
As round shadows through their nightgowns.
I stayed in my apartment until the steps blew away.
My candle almost extinguished itself from sheer shaking.
A huge tree fell on my neighbor’s car.
He was in it for safety.
Out he leaped from the unsquashed half
Making the voice of Donald Duck running from death.
I jumped from my balcony then,
And went walking in excess, shirtless,
Praising, opening my mouth, sleek the whips,
Shirtless, as when gods were men.
Learn more about The Radiance of Pigs by Stan Rice
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2 Responses to “April 21: Stan Rice’s “Tornado at Night””
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Knopf's Poem-A-Day 2011
April 1: The opening lines of Amy Tan's "I Love a Broad Margin"April 2: Philip Levine's "Unholy Saturday"
April 3: Deborah Digges's "The Coat"
April 4: David Young's "The House Was Quiet on a Winter Afternoon"
April 5: W.S. Merwin's "The Folding Cliffs"
April 6: Cynthia Zarin's "Late Poem"
April 7: Leonard Cohen's "These Heroics"
April 8: Marge Piercy's "Wellfleet Shabbat"
April 9: Anthony Hecht's "Devotions of a Painter"
April 10: Emily Dickinson Letters
April 11: Kevin Young's "Ash Wednesday"
April 12: Edward Hirsch's "Happiness Writes White"
April 13: Amy Clampitt's "Green"
April 14: Walt Whitman's "The Artilleryman’s Vision"
April 15: Wallace Stevens's "A Dove in the Belly"
April 16: James Merrill's "The Candid Decorator"
April 17: Emily Brontë's "No coward soul is mine"
April 18: Julia Hartwig's "Yet We Desire It above All"
April 19: Kenneth Koch's "To My Fifties"
April 20: Stephen Sondheim's "Green Finch and Linnet Bird"
April 21: Stan Rice's "Tornado at Night"
April 22: Kwon Homun's "Two Poems On Fishing"
April 23: Franz Wright's "Rooms"
April 24: Brooks Haxton’s “Three Lilies”
April 25: C.P. Cavafy's "The Mirror in the Entrance"
April 26: W. B. Yeats's "Down by the Salley Gardens"
April 27: Peter Davison's "The Level Path"
April 28: Sharon Olds's "True Love"
April 29: Langston Hughes's "Daybreak in Alabama"
April 30: Farewell, with poems by Jane Hirshfield and Simon Armitage
Knopf's Poem-A-Day 2010
April 1: Edward Hirsch’s “Self-portrait”April 2: Marge Piercy’s “Seven Horses”
April 3: Dan Chiasson’s “Banquette” and “Next”
April 4: Marie Ponsot’s “Transport”
April 5: Alexander Neubauer’s Poetry in Person, featuring Derek Walcott
April 6: Mark Strand’s “Mirror”
April 7: Edna St. Vincent Millay’s “Spring”
April 8: Philip Levine’s “MY FATHERS, THE BALTIC”
April 9: Vera Pavlova’s “A Remedy for Insomnia”
April 10: Stan Rice’s “The Fragment of Statue”
April 11: Marina Tsvetayeva’s “Poems Grow”
April 12: Kevin Young’s “EYES + EGGS [1983]“
April 13: Janusz Szuber’s “About a Boy Stirring Jam”
April 14: Frank O’Hara’s “The Day Lady Died”
April 15: Franz Wright’s "My Pew"
April 16: Mary Jo Salter’s “Welcome to Hiroshima”
April 17: Yehuda Halevi’s “A man in your fifties—and you still would be young?”
April 18: Langston Hughes’s “Black Workers” and “Black Dancers”
April 19: W. S. Di Piero’s “In Our Room”
April 20: Robert Wrigley’s “Kissing a Horse”
April 21: Sharon Olds’s “When He Came for the Family” and “The Signal”
April 22: Irving Feldman’s “Stretched Out at Length”
April 23: W.S. Merwin’s “The Furrow”
April 24: David Lehman’s “Poem in the Manner of a Jazz Standard”
April 25: John Keats’s “This Living Hand”
April 26: Laurie Sheck’s A Monster’s Notes
April 27: Garrett Hongo’s “Volcano House”
April 28: Wallace Stevens’s “Large Red Man Reading”
April 29: Izumi Shikibu’s love poems
April 30: Deborah Digges's "Write a Book a Year"
Knopf's Poem-a-Day 2009
April 1: Half Moon, Small Cloud by John UpdikeApril 2: Going Back to Bed by J.D. McClatchy
April 3: Like Giving to a Blind Man Eyes by Ruth Padel
April 4: Waiting On Elvis, 1956 by Joyce Carol Oates
April 5: Exile’s Child by D. Nurkse
April 6: A Summer Outing by Du Fu
April 7: Touch-Me-Nots by Jill Bialosky
April 8: Sweet Voices and Voices by C.P. Cavafy
April 9: On the Jetty by C.P. Cavafy
April 10: Fragment on Dissembling by Lucie Brock-Broido
April 11: Page From the Koran by James Merrill
April 12: Spring Song II by Jean Garrigue
April 13: Ode to Pepper Vinegar by Kevin Young
April 14: Greeter of Souls by Deborah Digges
April 15: You’re Beautiful by Simon Armitage
April 16: Two Short Poems by Mark Strand
April 17: To See My Mother by Sharon Olds
April 18: Wallace Stevens and Donald Justice
April 19: Robert Lowell’s Poetry Class by Stephanie Hemphill
April 20: Storm by Brooks Haxton
April 21: A Good List by Brad Leithauser
April 22: The Pond by Jim Powell
April 23: Impressions of Africa by Kenneth Koch
April 24: Notes For Sixtieth Wedding Anniversary by Jane Mayhall
April 25: Some Playthings by John Hollander
April 26: There is No City that Does Not Dream by Anne Michaels
April 27: Description of Her Eyes by Franz Wright
April 28: Some Different Kinda Books by Sapphire
April 29: The Mistake by Jack Gilbert
April 30: Creeper and Fine Point by John Updike
May 1: Written Late at Night by Janusz Szuber
Stan was my main mentor during my college years; Kay Boyle and Denise Levertov were the others. I remember him reading his own poems in class. I can tell you that he was a vibrant, gifted teacher of poetry, far beyond the quality of his own poems, such as the one presented publicly today. Unfortunately, at the time of his death, that he died more a painter than poet was our own considerable fault in assessing his fame being linked to whom he was married, rather than his poetic side.
Stan Rice’s “Tornado at Night,” uses metaphor in his unique way to bring a sort of poetic sanity to a raging storm. His use of the Caryatids to bring personification to an otherwise prosaic service station is superb.
His line, “And went walking in excess,” to poetically represent himself, engaging a terrible storm, by saying he was in “excess,” makes us nostalgic for ancient days.
Yes, there was a time that man could tempt the gods. Oh; if only they could be closer to us now, and we could be Übermenschen to respond.
He shows that poetry can be all consuming, even in situations encumbered with death and destruction.
R.L.L.