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April 12: Kevin Young’s “EYES + EGGS [1983]“

April 12: Kevin Young’s “EYES + EGGS [1983]“

Today’s selection is drawn from Kevin Young’s To Repel Ghosts, a work he calls a “discography” of the life of Jean-Michel Basquiat. This cycle of poems tells the quintessentially 1980s tale of Basquiat’s rise from graffiti artist, know by the tag SAMO, to the hot painter (”blue-chip Basquiat/ playing the bull/ market”) who was overwhelmed by his reputation, addicted to heroin, and dead of an overdose in his late twenties. Young riffs on Basquiat’s paintings and sayings, on the music he loved and collected on vinyl, and on the black folk heroes (Grace Jones, Charlie Parker, Muhammad Ali, Joe Louis) who inspired him, and who provide a foil to his own bout with fame, during what emerges as a tragically brief but exhilarating period of artistic creation.

For a special audio bonus from one of Kevin Young’s own heroes, keep clicking below.


EYES + EGGS [1983] 

Eats. Hot
cakes. Griddle
cakes. Silver

dollars. Head
cook, pepper-dark.
Dumb

waiter. Lazy
Susan. 24 service
24 service

24—
footprints
across a canvas

apron. Rice
in the salt
like luck, over

a shoulder. Marry
the ketchup.
Today Special—

grits, links,
sweetbreads.
This is your brain.

This your brain
on drugs, scrambled
with a side

of bacon, smiling.
Mouthless.
Black joe.

A warmer?

Order up—
Adam & Eve
on a raft, tuna

on whiskey—
were happy
to serve you.

Wanted Help.
We’re in the weeds—
come on back

now hear?
to insure
promptness 15%.

Two bits. End
of shift, punching
out. The whites

like an eye
—eighty-sixed—
sunny, pow-

dered, poached—


One of Kevin Young’s poetic mentors was Lucille Clifton, who died in February of this year. Click below to listen to some audio clips featuring Clifton.

Lucille Clifton’s conversation from Poetry in Person on being an extraordinary ordinary woman:

Audio

Lucille Clifton reading her poem “the thirty eighth year”:
Audio

Learn more about To Repel Ghosts

Other titles by Kevin Young


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Knopf's Poem-A-Day 2010

April 1: Edward Hirsch’s “Self-portrait”
April 2: Marge Piercy’s “Seven Horses”
April 3: Dan Chiasson’s “Banquette” and “Next”
April 4: Marie Ponsot’s “Transport”
April 5: Alexander Neubauer’s Poetry in Person, featuring Derek Walcott
April 6: Mark Strand’s “Mirror”
April 7: Edna St. Vincent Millay’s “Spring”
April 8: Philip Levine’s “MY FATHERS, THE BALTIC”
April 9: Vera Pavlova’s “A Remedy for Insomnia”
April 10: Stan Rice’s “The Fragment of Statue”
April 11: Marina Tsvetayeva’s “Poems Grow”
April 12: Kevin Young’s “EYES + EGGS [1983]“
April 13: Janusz Szuber’s “About a Boy Stirring Jam”
April 14: Frank O’Hara’s “The Day Lady Died”
April 15: Franz Wright’s "My Pew"
April 16: Mary Jo Salter’s “Welcome to Hiroshima”
April 17: Yehuda Halevi’s “A man in your fifties—and you still would be young?”
April 18: Langston Hughes’s “Black Workers” and “Black Dancers”
April 19: W. S. Di Piero’s “In Our Room”
April 20: Robert Wrigley’s “Kissing a Horse”
April 21: Sharon Olds’s “When He Came for the Family” and “The Signal”
April 22: Irving Feldman’s “Stretched Out at Length”
April 23: W.S. Merwin’s “The Furrow”
April 24: David Lehman’s “Poem in the Manner of a Jazz Standard”
April 25: John Keats’s “This Living Hand”
April 26: Laurie Sheck’s A Monster’s Notes
April 27: Garrett Hongo’s “Volcano House”
April 28: Wallace Stevens’s “Large Red Man Reading”
April 29: Izumi Shikibu’s love poems
April 30: Deborah Digges's "Write a Book a Year"