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April 10: Stan Rice’s “The Fragment of Statue”

April 10: Stan Rice’s “The Fragment of Statue”

Stan Rice, who died in 2002, was a visionary painter and a poet with a gift for miniatures—he often noticed the natural eloquence of the smallest things that speak to us.


The Fragment of Statue

How is it
The marble
Fragment
Looks whole.

Full of its power
The lips
And chin of
The feminine
Stone.

Not that the whole
Would not have
Power but

How does the fragment
Flower
At all. 


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5 Responses to “April 10: Stan Rice’s “The Fragment of Statue””

  1. Margaret Howard says:

    This is a lovely poem that caused me to look up the poet on Wikipedia. How interesting to find that he and Anne, the writer, lived and worked so long together. I was amused to find that Anne was given her father’s name Howard as a first name by her mother and only took the name of Ann on the first day at Catholic school as a girl.

    As a poet, I at first wanter to make a change of “the fragment” to “that fragment” in the last stanza. Thinking on it, clearly he is the better poet!

    Thanks Knopf!

  2. The poem asks a great, original question. I have such respect for poetic minds.

    B. Lynn Goodwin
    http://www.writeradvice.com
    Author of You Want Me to Do WHAT? Journaling for Caregivers

  3. NevillePark says:

    The marriage of the eye to the hand, as in …
    “I think, therefore I do art.” is a process of mindful
    creators. This man is doing something neat when he sounds the depths of intent. I can see him gently turning it over in his hands (and thoughts).

    Sculptures (3d entities) can’t be faked out as is the custom with paintings. Fascinating.

  4. Dorothy T. Kiljan says:

    It’s Like a Gem

    in a pocket
    from a shore
    at the narrow arm
    of a dream

    Dorothy T. Kiljan

  5. Bill Mayer says:

    Lovely to see Stan’s poem here. He is one of the half dozen finest poets born in the ’40s. It’s too bad he’s so little known. Thanks to Knopf for helping to change that.

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Knopf's Poem-A-Day 2010

April 1: Edward Hirsch’s “Self-portrait”
April 2: Marge Piercy’s “Seven Horses”
April 3: Dan Chiasson’s “Banquette” and “Next”
April 4: Marie Ponsot’s “Transport”
April 5: Alexander Neubauer’s Poetry in Person, featuring Derek Walcott
April 6: Mark Strand’s “Mirror”
April 7: Edna St. Vincent Millay’s “Spring”
April 8: Philip Levine’s “MY FATHERS, THE BALTIC”
April 9: Vera Pavlova’s “A Remedy for Insomnia”
April 10: Stan Rice’s “The Fragment of Statue”
April 11: Marina Tsvetayeva’s “Poems Grow”
April 12: Kevin Young’s “EYES + EGGS [1983]“
April 13: Janusz Szuber’s “About a Boy Stirring Jam”
April 14: Frank O’Hara’s “The Day Lady Died”
April 15: Franz Wright’s "My Pew"
April 16: Mary Jo Salter’s “Welcome to Hiroshima”
April 17: Yehuda Halevi’s “A man in your fifties—and you still would be young?”
April 18: Langston Hughes’s “Black Workers” and “Black Dancers”
April 19: W. S. Di Piero’s “In Our Room”
April 20: Robert Wrigley’s “Kissing a Horse”
April 21: Sharon Olds’s “When He Came for the Family” and “The Signal”
April 22: Irving Feldman’s “Stretched Out at Length”
April 23: W.S. Merwin’s “The Furrow”
April 24: David Lehman’s “Poem in the Manner of a Jazz Standard”
April 25: John Keats’s “This Living Hand”
April 26: Laurie Sheck’s A Monster’s Notes
April 27: Garrett Hongo’s “Volcano House”
April 28: Wallace Stevens’s “Large Red Man Reading”
April 29: Izumi Shikibu’s love poems
April 30: Deborah Digges's "Write a Book a Year"