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April 8: Philip Levine’s “MY FATHERS, THE BALTIC”

April 8: Philip Levine’s “MY FATHERS, THE BALTIC”

Most readers know that Philip Levine hails from Detroit; in his significant body of poems describing wartime and postwar life in the working-class culture of that city, we’ve met his brother Eddie, his mother, his father, and other emblematic American characters, often the children of immigrants. In today’s poem he reaches further back and farther away to introduce a founding member of the Levine school of thought.


MY FATHERS, THE BALTIC

Low and gray, the sky
sinks into the sea.
Along the strand stones,
busted shells, bottle tops,
dimpled beer cans.
Something began here
centuries ago,
maybe a voyage,
a nameless disaster.
Young men set out
for those continents
beyond myth
while the women
waited and the sons
grew into other men.
Looking for a sign,
maybe an amulet
against storms, I kneel
on the damp sand
to find my own face
in a small black pool,
wide- eyed, alarmed.
My grandfather crossed
this sea in ’04
and never returned,
so I’ve come alone
to thank creation
as he would never
for carrying him home
to work, age, defeat,
those blood brothers
faithful to the end.
Yusel Prisckulnick,
I bless your laughter
thrown in the wind’s face,
your gall, your rages,
your abiding love
for money and all
it never bought,
for your cracked voice
that wakens in dreams
where you rest at last,
for all the sea taught
you and you taught me:
that the waves go out
and nothing comes back.


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2 Responses to “April 8: Philip Levine’s “MY FATHERS, THE BALTIC””

  1. Thank you for this resounding poem. It is wonderful to see that a Detroit poet has so much European in him.
    I love the sounds, the meaning, the recollection.

    ( I am an actor; if you ever need one to recite the poem, it would be a pleasure.)

  2. Sue says:

    I really like this one, from the rather casual tone to that excellent last line.

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Knopf's Poem-A-Day 2010

April 1: Edward Hirsch’s “Self-portrait”
April 2: Marge Piercy’s “Seven Horses”
April 3: Dan Chiasson’s “Banquette” and “Next”
April 4: Marie Ponsot’s “Transport”
April 5: Alexander Neubauer’s Poetry in Person, featuring Derek Walcott
April 6: Mark Strand’s “Mirror”
April 7: Edna St. Vincent Millay’s “Spring”
April 8: Philip Levine’s “MY FATHERS, THE BALTIC”
April 9: Vera Pavlova’s “A Remedy for Insomnia”
April 10: Stan Rice’s “The Fragment of Statue”
April 11: Marina Tsvetayeva’s “Poems Grow”
April 12: Kevin Young’s “EYES + EGGS [1983]“
April 13: Janusz Szuber’s “About a Boy Stirring Jam”
April 14: Frank O’Hara’s “The Day Lady Died”
April 15: Franz Wright’s "My Pew"
April 16: Mary Jo Salter’s “Welcome to Hiroshima”
April 17: Yehuda Halevi’s “A man in your fifties—and you still would be young?”
April 18: Langston Hughes’s “Black Workers” and “Black Dancers”
April 19: W. S. Di Piero’s “In Our Room”
April 20: Robert Wrigley’s “Kissing a Horse”
April 21: Sharon Olds’s “When He Came for the Family” and “The Signal”
April 22: Irving Feldman’s “Stretched Out at Length”
April 23: W.S. Merwin’s “The Furrow”
April 24: David Lehman’s “Poem in the Manner of a Jazz Standard”
April 25: John Keats’s “This Living Hand”
April 26: Laurie Sheck’s A Monster’s Notes
April 27: Garrett Hongo’s “Volcano House”
April 28: Wallace Stevens’s “Large Red Man Reading”
April 29: Izumi Shikibu’s love poems
April 30: Deborah Digges's "Write a Book a Year"