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April 27: Description of Her Eyes by Franz Wright

April 27: Description of Her Eyes by Franz Wright

On love, from Franz Wright.

Description of Her Eyes

Two teaspoonfuls,
and my mind goes
everyone can kiss my ass now

then it’s changed,
I change my mind.

Eyes so sad, and infinitely kind.

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6 Responses to “April 27: Description of Her Eyes by Franz Wright”

  1. Karl G. says:

    If Wright’s, Description of Her Eyes, can be considered a poem as well as a valid statement about what love is, then one has to accept the probability that poetry and love no longer exist.

  2. tom scanlan says:

    I generally find something worthwhile in each of your daily poems, and in most poetry. Some poetry, like this one, makes me wonder how this guy won a Pulitzer, and secondly, do these poets have to publish everything that crosses their mind, no matter how inane?
    Give me Wordsworth!

  3. Krissy G. says:

    Wow. I have to disagree with the other posters. This is one of my favorites.

  4. Idore says:

    We flicker profoundly in our emotions. I take this little piece as honest; it carries the heavy and the light. The two teaspoons go to the fierce in him; his eyes then open him to the sublime of the person he is with.

    I like the rhyming and allusion in “mind” and “kind.”

  5. Thorunn Sleight says:

    This poem contains a lot in a very few words and makes me think. I wonder however about the two teaspoons. Teaspoons of what? What would make a person’s mind go “everyone can kiss my ass now”? But it’s clear that the love expressed in the eyes that watch him cause him to change his mind, whatever the relationship between the two of them.

    I like it!

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Knopf's Poem-A-Day 2010

April 1: Edward Hirsch’s “Self-portrait”
April 2: Marge Piercy’s “Seven Horses”
April 3: Dan Chiasson’s “Banquette” and “Next”
April 4: Marie Ponsot’s “Transport”
April 5: Alexander Neubauer’s Poetry in Person, featuring Derek Walcott
April 6: Mark Strand’s “Mirror”
April 7: Edna St. Vincent Millay’s “Spring”
April 8: Philip Levine’s “MY FATHERS, THE BALTIC”
April 9: Vera Pavlova’s “A Remedy for Insomnia”
April 10: Stan Rice’s “The Fragment of Statue”
April 11: Marina Tsvetayeva’s “Poems Grow”
April 12: Kevin Young’s “EYES + EGGS [1983]“
April 13: Janusz Szuber’s “About a Boy Stirring Jam”
April 14: Frank O’Hara’s “The Day Lady Died”
April 15: Franz Wright’s "My Pew"
April 16: Mary Jo Salter’s “Welcome to Hiroshima”
April 17: Yehuda Halevi’s “A man in your fifties—and you still would be young?”
April 18: Langston Hughes’s “Black Workers” and “Black Dancers”
April 19: W. S. Di Piero’s “In Our Room”
April 20: Robert Wrigley’s “Kissing a Horse”
April 21: Sharon Olds’s “When He Came for the Family” and “The Signal”
April 22: Irving Feldman’s “Stretched Out at Length”
April 23: W.S. Merwin’s “The Furrow”
April 24: David Lehman’s “Poem in the Manner of a Jazz Standard”
April 25: John Keats’s “This Living Hand”
April 26: Laurie Sheck’s A Monster’s Notes
April 27: Garrett Hongo’s “Volcano House”
April 28: Wallace Stevens’s “Large Red Man Reading”
April 29: Izumi Shikibu’s love poems
April 30: Deborah Digges's "Write a Book a Year"