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April 18: Wallace Stevens and Donald Justice

Today we offer selections by two pillars of American poetry, reflecting on the American sublime: first, the poem with that title by Wallace Stevens (1879-1955), and then a poem of memory by Donald Justice (1925-2004), whose work often describes the settings that defined who we were in the last century, with his own delicate sense of where the sublime was, perhaps, to be found. The work of both these poets is always in print, but an entirely new Selected Poems of Wallace Stevens will be available this coming August, edited by the Stevens scholar John N. Serio.

The American Sublime

How does one stand
To behold the sublime,
To confront the mockers,
The mickey mockers
And plated pairs?

When General Jackson
Posed for his statue
He knew how one feels.
Shall a man go barefoot
Blinking and blank?

But how does one feel?
One grows used to the weather,
The landscape and that;
And the sublime comes down
To the spirit itself,

The spirit and space,
The empty spirit
In vacant space.
What wine does one drink?
What bread does one eat?

Dance Lessons of the Thirties

Wafts of old incense mixed with Cuban coffee
Hung on the air; a fan turned; it was summer.
And (of the buried life) some last aroma
Still clung to the tumbled cushions of the sofa.

At lesson time, pushed back, it used to be
The thing we managed somehow just to miss
With our last-second dips and whirls—all this
While the Victrola wound down gradually.

And this was their exile, those brave ladies who taught us
So much of art, and stepped off to their doom
Demonstrating the fox-trot with their daughters
Endlessly around some sad and makeshift ballroom.

O little lost Bohemias of the suburbs!

More about Selected Poems

About Wallace Stevens

More about Donald Justice’s Collected Poems

About Donald Justice

April 18: Wallace Stevens and Donald Justice
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Knopf's Poem-A-Day 2010

April 1: Edward Hirsch’s “Self-portrait”
April 2: Marge Piercy’s “Seven Horses”
April 3: Dan Chiasson’s “Banquette” and “Next”
April 4: Marie Ponsot’s “Transport”
April 5: Alexander Neubauer’s Poetry in Person, featuring Derek Walcott
April 6: Mark Strand’s “Mirror”
April 7: Edna St. Vincent Millay’s “Spring”
April 8: Philip Levine’s “MY FATHERS, THE BALTIC”
April 9: Vera Pavlova’s “A Remedy for Insomnia”
April 10: Stan Rice’s “The Fragment of Statue”
April 11: Marina Tsvetayeva’s “Poems Grow”
April 12: Kevin Young’s “EYES + EGGS [1983]“
April 13: Janusz Szuber’s “About a Boy Stirring Jam”
April 14: Frank O’Hara’s “The Day Lady Died”
April 15: Franz Wright’s "My Pew"
April 16: Mary Jo Salter’s “Welcome to Hiroshima”
April 17: Yehuda Halevi’s “A man in your fifties—and you still would be young?”
April 18: Langston Hughes’s “Black Workers” and “Black Dancers”
April 19: W. S. Di Piero’s “In Our Room”
April 20: Robert Wrigley’s “Kissing a Horse”
April 21: Sharon Olds’s “When He Came for the Family” and “The Signal”
April 22: Irving Feldman’s “Stretched Out at Length”
April 23: W.S. Merwin’s “The Furrow”
April 24: David Lehman’s “Poem in the Manner of a Jazz Standard”
April 25: John Keats’s “This Living Hand”
April 26: Laurie Sheck’s A Monster’s Notes
April 27: Garrett Hongo’s “Volcano House”
April 28: Wallace Stevens’s “Large Red Man Reading”
April 29: Izumi Shikibu’s love poems
April 30: Deborah Digges's "Write a Book a Year"