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April 11: Page From the Koran by James Merrill

April 11: Page From the Koran by James Merrill

A Selected Poems of James Merrill (1926-1995) is now available in paperback, edited by J. D. McClatchy and Stephen Yenser. As ever, his range astounds, and the poem below, from 1985, reminds us how timeless and timely his work is.

Page from the Koran

A small vellum environment
Overrun by black
Scorpions of Kufic script—their ranks
All trigger tail and gold vowel-sac—
At auction this mild winter morning went
For six hundred Swiss francs.

By noon, fire from the same blue heavens
Had half erased Beirut.
Allah be praised, it said on crude handbills,
For guns and Nazarenes to shoot.
“How gladly with proper words,” said Wallace Stevens,
“The soldier dies.” Or kills.

God’s very word, then, stung the heart
To greed and rancor. Yet
Not where the last glow touches one spare man
Inked-in against his minaret
—Letters so handled they are life, and hurt,
Leaving the scribe immune?

Read more poems from Selected Poems.

View the Table of Contents.

More about Selected Poems

About James Merrill


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One Response to “April 11: Page From the Koran by James Merrill”

  1. Ada Aharoni says:

    Unclear poem, unless the mention of scorpions on the cover of the Koran book: ” black Scorpions of Kufic script,” hint at some of the dangerous poison inside the book. Do the lines: “Allah be praised for guns…” and “God’s very word, then, stung the heart To greed and rancor,” bear the same message?
    Is James Merrill subtly pointing to the fact that the Koran has a page, and even more than a page, mentioning that “Unbelievers” – that is, all who are not of the Islamic faith – should be killed by the sword? If so, the poet should not be afraid to openly and clearly criticise extremes in the Koran, or in any other religion.

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Knopf's Poem-A-Day 2010

April 1: Edward Hirsch’s “Self-portrait”
April 2: Marge Piercy’s “Seven Horses”
April 3: Dan Chiasson’s “Banquette” and “Next”
April 4: Marie Ponsot’s “Transport”
April 5: Alexander Neubauer’s Poetry in Person, featuring Derek Walcott
April 6: Mark Strand’s “Mirror”
April 7: Edna St. Vincent Millay’s “Spring”
April 8: Philip Levine’s “MY FATHERS, THE BALTIC”
April 9: Vera Pavlova’s “A Remedy for Insomnia”
April 10: Stan Rice’s “The Fragment of Statue”
April 11: Marina Tsvetayeva’s “Poems Grow”
April 12: Kevin Young’s “EYES + EGGS [1983]“
April 13: Janusz Szuber’s “About a Boy Stirring Jam”
April 14: Frank O’Hara’s “The Day Lady Died”
April 15: Franz Wright’s "My Pew"
April 16: Mary Jo Salter’s “Welcome to Hiroshima”
April 17: Yehuda Halevi’s “A man in your fifties—and you still would be young?”
April 18: Langston Hughes’s “Black Workers” and “Black Dancers”
April 19: W. S. Di Piero’s “In Our Room”
April 20: Robert Wrigley’s “Kissing a Horse”
April 21: Sharon Olds’s “When He Came for the Family” and “The Signal”
April 22: Irving Feldman’s “Stretched Out at Length”
April 23: W.S. Merwin’s “The Furrow”
April 24: David Lehman’s “Poem in the Manner of a Jazz Standard”
April 25: John Keats’s “This Living Hand”
April 26: Laurie Sheck’s A Monster’s Notes
April 27: Garrett Hongo’s “Volcano House”
April 28: Wallace Stevens’s “Large Red Man Reading”
April 29: Izumi Shikibu’s love poems
April 30: Deborah Digges's "Write a Book a Year"