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Poems After Midnight

Janusz Szuber’s “I Had Dreams”

Janusz Szuber’s “I Had Dreams”

A poem that arrives in a single sentence brings a neat jolt of pleasure to the reader; for our final day, we offer one such by the great Polish poet Janusz Szuber, whose poems always seem forged in gratitude, even when they take on painful historical realities. In this spirit, and in acknowledgment of all that poetry can do for us, we thank you for joining us this April. We will be back in your inbox with another month of selections next spring. Until then, read well. 

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Deborah Digges’s “The Wind Blows Through the Doors of My Heart”

Deborah Digges’s “The Wind Blows Through the Doors of My Heart”

The final, posthumous volume by Deborah Digges, now available in a paperback edition, opens with this poem – an urgent hello-goodbye to the reader.

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Alexander Neubauer’s POETRY IN PERSON and Amy Clampitt’s “Black Buttercups”

Alexander Neubauer’s POETRY IN PERSON and Amy Clampitt’s “Black Buttercups”

In Alexander Neubauer’s Poetry in Person, we are treated to a series of remarkable conversations that were recorded in the classroom of the legendary New School poetry teacher Pearl London, from the early 1970s through the mid-1990s – a time when a significant generation came of age in American poetry.

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Franz Wright’s “Dead Seagull”

Franz Wright’s “Dead Seagull”

Franz Wright’s most recent collection, Kindertotenwald, is book of prose poems that serve to remind us how tragic is the loss of childhood, not just when we first lose it but throughout our lives. Wright, now in his late fifties, has remained alert to the hauntings of youth, as well as to surreal visitations like that of the seagull in the corn below.

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James Merrill’s THE CHANGING LIGHT AT SANDOVER

James Merrill’s THE CHANGING LIGHT AT SANDOVER

There is nothing else in American poetry like the late James Merrill’s multiple-prize-winning The Changing Light at Sandover, a 560-page epic poem about his evenings spent at the Ouija board with his partner, David Jackson, first published in one volume in 1982.

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Marie Howe’s “After the Movie”

Marie Howe’s “After the Movie”

Killer Verse: Poems of Murder and Mayhem is a surprising little volume from our Everyman’s Pocket Poets library. It contains everything from anonymous “murder ballads” and verse by the likes of Thomas Hardy and Robert Browning to more contemporary entries by Frank Bidart, Carol Ann Duffy, and Kimiko Hahn. The below, by Marie Howe, is one of those rare poems that actually captures a conversation as it takes shape, in this case a particularly Manhattan, walking-in-the-West-Village sort of conversation.

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Sharon Olds’s “Possessed”

Sharon Olds’s “Possessed”

One of the pleasures of knowing a poet over many years is to watch a life’s journey play out in verse, perhaps in tandem with our own, or lighting our way helpfully just ahead, or even just behind, allowing us a good look back at our own experience. Over the years, we’ve seen Sharon Olds find her balance on both sides of the parental equation. She has written frequently as the daughter, still walking the paths laid out by her parents, but probably nearly as frequently from her point of view as a mother of growing and then adult children.

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Knopf and Tumblr Celebrate Poetry with Philip Levine, Tracy K. Smith, and Poets from the Tumblr Community

Come out to the LIVE poetry event tonight (Monday, April 23) featuring Poet Laureate Philip Levine, 2012 Pulitzer Prize Winner Tracy K. Smith, and two fantastic poets from the Tumblr community: Saeed Jones and Karolina Manko.

The event begins at 7 pm at Housing Works Bookstore Cafe, 126 Crosby St., in NYC. Open bar. Amazing poetry. Poet Laureate. Pulitzer Prize Winner. Poets from the Tumblr community. Come out to celebrate poetry with us!

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Alan Hollinghurst’s THE STRANGER’S CHILD

Alan Hollinghurst’s THE STRANGER’S CHILD

Alan Hollinghurst’s widely acclaimed new novel, The Stranger’s Child, is a century-spanning story set in England and built around the myth of a single poem: “Two Acres” is written in 1913 by Cecil Valance, an aristocratic young man who, in the book’s opening, visits a Cambridge school chum, George Sawle, for the weekend; before he returns to university, Cecil composes the poem in the autograph album of George’s younger sister, Daphne.

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Kevin Young’s “Serenade”

Kevin Young’s “Serenade”

In the long aftermath of grief, the right words have a compensatory beauty, as in these lines by Kevin Young.

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Knopf's Poem-A-Day 2010

April 1: Edward Hirsch’s “Self-portrait”
April 2: Marge Piercy’s “Seven Horses”
April 3: Dan Chiasson’s “Banquette” and “Next”
April 4: Marie Ponsot’s “Transport”
April 5: Alexander Neubauer’s Poetry in Person, featuring Derek Walcott
April 6: Mark Strand’s “Mirror”
April 7: Edna St. Vincent Millay’s “Spring”
April 8: Philip Levine’s “MY FATHERS, THE BALTIC”
April 9: Vera Pavlova’s “A Remedy for Insomnia”
April 10: Stan Rice’s “The Fragment of Statue”
April 11: Marina Tsvetayeva’s “Poems Grow”
April 12: Kevin Young’s “EYES + EGGS [1983]“
April 13: Janusz Szuber’s “About a Boy Stirring Jam”
April 14: Frank O’Hara’s “The Day Lady Died”
April 15: Franz Wright’s "My Pew"
April 16: Mary Jo Salter’s “Welcome to Hiroshima”
April 17: Yehuda Halevi’s “A man in your fifties—and you still would be young?”
April 18: Langston Hughes’s “Black Workers” and “Black Dancers”
April 19: W. S. Di Piero’s “In Our Room”
April 20: Robert Wrigley’s “Kissing a Horse”
April 21: Sharon Olds’s “When He Came for the Family” and “The Signal”
April 22: Irving Feldman’s “Stretched Out at Length”
April 23: W.S. Merwin’s “The Furrow”
April 24: David Lehman’s “Poem in the Manner of a Jazz Standard”
April 25: John Keats’s “This Living Hand”
April 26: Laurie Sheck’s A Monster’s Notes
April 27: Garrett Hongo’s “Volcano House”
April 28: Wallace Stevens’s “Large Red Man Reading”
April 29: Izumi Shikibu’s love poems
April 30: Deborah Digges's "Write a Book a Year"